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The film is exquisite in many respects, not least the way it defies Hollywood convention. It moves at a glacial pace and features mostly grunts in place of actual words.
It thrusts viewers into a pitiless landscape filled with brutal deprivations, wild predators and unremitting violence. And though it stars two of the industry’s most bankable male leads in Leo and Tom Hardy, it buries their pretty faces behind layers blood, dirt and and enough facial hair to outfit a convention of Echo Park barkeeps. All in all, it’s a great film. One of Dicaprio’s best efforts. But there’s a problem: One deeply false line of dialogue uttered at a pivotal moment. A single unredeemable note of cheesiness that undermines everything that came before. And I’m going to quote it, so if you are planning to see the film and wish to avoid spoilers, stop reading now and go about your business.
First, some background: A meditative adventure drama crossed with a macho revenge fantasy, the film centers on Glass, who has become a skilled guide after spending years living with the Pawnee. On a trapping expedition, he winds up getting mauled by a grizzly bear in one of the most brutal man vs. Wild sequences ever put on film. By the way, he’s not raped by the bear. Nevermind the in early December, which claimed, “The bear flips Leo over and thrusts and thrusts” No such luck. We're talking zero penetration whatsoever. The bear is actually female, as the, and while in theory a female bear could maybe sort of rape a guy, it would take some very skillful foreplay.
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(Maybe in the sequel?). Anyway, given Glass’s life-threatening injuries, the party agrees he will have to be left behind. A few fellow trappers, including John Fitzgerald, played by Tom Hardy, promise to watch over him while the others go in search of help, but then Fitzgerald changes his mind and buries Glass alive.
For good measure, he first kills Glass’ half-Pawnee son, Hawk. Somehow Glass survives, of course, and spends much of the film seeking revenge. In real life, Fitzgerald’s treachery went unpunished.
“As far as we know, they never met again,” notes Clay Landry, a historian of the era who served as an advisor to the filmmakers and trained the actors in wilderness survival, building lean-tos, throwing tomahawks, and so on. By the time Glass managed to return to civilization, his would-be killer had enlisted in the army, which protected him. “They told Glass, ‘He belongs to us now,'” Landry says. In Punke’s telling, the two men do have one more imagined encounter, at a military tribunal, during which Fitz makes a big smarmy show of his contrition, and Glass tries to gun him down, hitting him in the shoulder but leaving him alive.